04-16-2020, 05:06 PM
(This post was last modified: 04-23-2020, 11:04 PM by Manuela Martella.)
Hi everybody,
I hope you will find interest in sharing your experiences and knowledge in this thread.
Below you will find a couple of definitions and introductions about muscle tone and ligamentous mobility, which might help access the topic.
Please, don’t hesitate to add what you know and what might be relevant.
Here my thoughts and questions:
According to my (or my students’) predisposition and the kind of activity I want to prepare for, I might want or need to raise or lower my (my students’) muscular tone.
A list of basic typical warm-up activities can be rubbing, tapping, shaking, massaging, light touch, mobilizing motion centers, running, bouncing, pushing, pulling, large range movements, small range movements, dynamic stretching, static stretching, mixed activities …
What type of (warm-up) activities increase or decrease muscle tone?
Has anyone rather low tone experienced that some of the activities listed above has helped increase the tone? Which ones? Other?
Has anyone rather high tone experienced that some of the activities listed above has helped decrease the tone? Which ones? Other?
I have heard that some activities can have both effects, like a rebalancing effect, lowering the muscle tone in high tone bodies and increasing it in low tone bodies. Is this true? How does it work?
Does the effect depend on what kind of awareness or score I chose to bring into the activity? If, when shaking for example, I emphasize muscular contraction by aggregating body parts, or train inhibition of contraction by isolating body parts (overall or selective)?
How many of you assume to have a rather high or low overall muscle tone?
Having personally a rather high tone body and I think average tight ligaments, I have found myself in the dance world among many rather hyper flexible bodies.giv I have more often heard counsel about how to compensate for hyper flexibility, and less often about how to decrease muscular tonus. So, when I felt too rigid, I thought, well I just have to figure out how to relax. That in fact has been big part of my learning process, especially because it seemed a necessary premise towards developing more differentiated muscle control. From simple on/off to an infinite range of degrees of muscular contraction. Something I personally find fascinating.
And then further towards different kinds of mio-fascial/fascial activities: concentric contraction, eccentric contr., isometric contr., inhibition of contr., stretch, elastic recoil, lead-lag. And finally the infinite playground of dosing what, how much, where and when in movement.
But taking a step back again, my impression has been that in order to access a conscious, differentiated, sometimes secure and efficient application of different kinds of muscular activities, it seems important to have a certain understanding of muscle tone, ligamentous laxity/tightness, (besides of course articular range of motion and alignment), as well as where and to what degree this applies to mine and other bodies.
Still my experiences and impressions feel subjective. I have not quite understood yet what the variables are that determine the temporary (or long term) raising or lowering of muscular tone.
Thanks for reading this and looking forward to exchanging with you,
Manuela
Muscle tone
from AS forum https://axisforums.org/showthread.php?tid=225
Even when a whole muscle is not contracting, a small number of its units are involuntarily activated to produce a sustained contraction of the muscle fibers. The process gives rise to muscle tone. To sustain muscle tone, small groups of motor unites are alternately active and inactive in a constantly shifting pattern. Muscle tone keeps skeletal muscles firm, but it does no result in a contraction strong enough to produce movement.
https://en.wikipedia.org/wiki/Muscle_tone
https://www.sciencedirect.com/topics/med...uscle-tone
https://en.wikipedia.org/wiki/Ligamentous_laxity
I hope you will find interest in sharing your experiences and knowledge in this thread.
Below you will find a couple of definitions and introductions about muscle tone and ligamentous mobility, which might help access the topic.
Please, don’t hesitate to add what you know and what might be relevant.
Here my thoughts and questions:
According to my (or my students’) predisposition and the kind of activity I want to prepare for, I might want or need to raise or lower my (my students’) muscular tone.
A list of basic typical warm-up activities can be rubbing, tapping, shaking, massaging, light touch, mobilizing motion centers, running, bouncing, pushing, pulling, large range movements, small range movements, dynamic stretching, static stretching, mixed activities …
What type of (warm-up) activities increase or decrease muscle tone?
Has anyone rather low tone experienced that some of the activities listed above has helped increase the tone? Which ones? Other?
Has anyone rather high tone experienced that some of the activities listed above has helped decrease the tone? Which ones? Other?
I have heard that some activities can have both effects, like a rebalancing effect, lowering the muscle tone in high tone bodies and increasing it in low tone bodies. Is this true? How does it work?
Does the effect depend on what kind of awareness or score I chose to bring into the activity? If, when shaking for example, I emphasize muscular contraction by aggregating body parts, or train inhibition of contraction by isolating body parts (overall or selective)?
How many of you assume to have a rather high or low overall muscle tone?
Having personally a rather high tone body and I think average tight ligaments, I have found myself in the dance world among many rather hyper flexible bodies.giv I have more often heard counsel about how to compensate for hyper flexibility, and less often about how to decrease muscular tonus. So, when I felt too rigid, I thought, well I just have to figure out how to relax. That in fact has been big part of my learning process, especially because it seemed a necessary premise towards developing more differentiated muscle control. From simple on/off to an infinite range of degrees of muscular contraction. Something I personally find fascinating.
And then further towards different kinds of mio-fascial/fascial activities: concentric contraction, eccentric contr., isometric contr., inhibition of contr., stretch, elastic recoil, lead-lag. And finally the infinite playground of dosing what, how much, where and when in movement.
But taking a step back again, my impression has been that in order to access a conscious, differentiated, sometimes secure and efficient application of different kinds of muscular activities, it seems important to have a certain understanding of muscle tone, ligamentous laxity/tightness, (besides of course articular range of motion and alignment), as well as where and to what degree this applies to mine and other bodies.
Still my experiences and impressions feel subjective. I have not quite understood yet what the variables are that determine the temporary (or long term) raising or lowering of muscular tone.
Thanks for reading this and looking forward to exchanging with you,
Manuela
Muscle tone
from AS forum https://axisforums.org/showthread.php?tid=225
Even when a whole muscle is not contracting, a small number of its units are involuntarily activated to produce a sustained contraction of the muscle fibers. The process gives rise to muscle tone. To sustain muscle tone, small groups of motor unites are alternately active and inactive in a constantly shifting pattern. Muscle tone keeps skeletal muscles firm, but it does no result in a contraction strong enough to produce movement.
https://en.wikipedia.org/wiki/Muscle_tone
https://www.sciencedirect.com/topics/med...uscle-tone
https://en.wikipedia.org/wiki/Ligamentous_laxity